Tue Oct 26 2021

7:30 PM

Phoenix

Gandy Street Exeter EX4 3LS

£16.50

All Ages

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Fired by his ongoing battle with mental illness, Shortly After Takeoff is the final, and finest, chapter of what Christinzio calls his “Manchester Trilogy”, following 2015’s “How To Die In The North” and 2018’s “Deportation Blues”. All three albums were created after the native Philadelphian had moved to Manchester.

Like Deportation Blues, Shortly After Takeoff spans singer-songwriter classicism, gnarly synth-pop and ‘50s rock’n’roll, with Christinzio’s similarly distinctive, flexible vocal carrying a fearless approach to lyrical introspection, but the new album is a major leap forward in songwriting sophistication and lyrical communication.

The “heavy stuff” has come thick and fast for Christinzio. Just days before How To Die In The North was released, he was deported and banned from the UK because of visa issues. Estranged from his new home, his girlfriend and his dog, unable to promote his album and back home with his parents, Christinzio sunk deep into the dark. An Italian passport, care of his grandparents, eventually allowed him to re-settle in Manchester, but then just days before Deportation Blues was released, his father Angelo unexpectedly died.

Christinzio couldn’t tour How To Die In The North because of his deportation, but the shows following Deportation Blues played to increasingly larger audiences. Christinzio’s bombastic and intense live performances have earned him an ever-growing legion of devotees (and a recent nomination for Best Live Act by the Independent Music Awards) that see Brian as an “anti-rockstar”, an unfiltered talent.

“I’m pretty sure the BC Camplight live experience isn’t something you can find elsewhere,” he declares. “It is a journey every night. One moment, I’m basically doing a stand-up routine and the next, the band and I are playing like we plan on dying that evening, giving our everything.” One regret is that his father never saw Christinzio experience any level of success. “I wish he could have seen what I’ve started to do here,” he says. “I certainly gave that guy more grey hairs than he deserved. He would have liked to see this.”
If you have any access requests please call/book directly on 01392 667080 opt 1

 

BC CAMPLIGHT

  • BC Camplight

    BC Camplight

    Alternative Country

    BC Camplight is the moniker of maverick songsmith Brian Christinzio. The Philadelphian turned Mancunian is considered one of indie music’s most forward-thinking artists with a discography which acts as a soundtrack to a life rife with bad fortune, mental illness, running afoul of the law, and ultimately absolute redemption. Whilst living in Philadelphia Christinzio performed live with The War On Drugs in between releasing two critically successful yet commercially ignored records. He was also a coveted session pianist lending his talents to scores of albums, perhaps most notably Sharon Van Etten’s ‘Epic’. After a period of homelessness and running on fumes creatively Christinzio made a move across the Atlantic to Manchester, UK in an effort take control of his life and reshuffle his musical deck. The result was the recording of 2015’s ode to Manchester and baroque pop tour de force “How To Die In The North”. The recordings resulted in a record deal with Bella Union and placed Christinzio on a path towards artistic fulfilment. However, a severe leg injury landed Christinzio in hospital where he was forced to remain whilst his UK work visa expired. Despite pleas to the Home Office to allow the ailing artist to apply for an extension a decision was made that would forever alter Brian personally and artistically. The day after his record was released Christinzio was deported from the UK and banned from returning. "How To Die In The North" was essentially shelved.
     
    After 16 months of separation from the UK the resilient Christinzio was reunited with his beloved Manchester, gaining entry through newly acquired Italian citizenship. His most recent, and most lauded album "Deportation Blues" is an exhilarating dynamic document of calamity and stress, relayed through richly melodic arrangements spanning songwriter classicism, gnarled synth pop, 50’s filth-rock, and various odd junctions in between mirroring the creators fractured mindset. It is an immensely powerful diary chronicling an impossible set of life circumstances whilst shining a white-hot spotlight on the composer’s off-kilter brilliance. The album has since been revered by critics, become a stalwart on the BBC Radio 6 Music playlist (BBC 6 Music 2018 album of the year as voted by Marc Riley), and put BC Camplight back on the stage where he belongs. With a slew of tours and festivals on the horizon Christinzio, a remarkably relentless entertainer, will bring his immense new live show to the UK and Europe. “It’s no fun giving an audience a standard show that they can get elsewhere” explains Christinzio. “Sometimes it’s intense, sometimes it’s emotional, sometimes it’s basically a fucking stand-up routine. I always like to involve the audience and make it memorable for everyone involved.  I think we are one of the best live bands in the world and it’s an odd feeling finally getting an opportunity to get in front of loads of ears and eyes. In a perfect world I’d be able to organise a concert on the roof of the Home Office one day”.

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BC CAMPLIGHT

Tue Oct 26 2021 7:30 PM

Phoenix Exeter
BC CAMPLIGHT

£16.50 All Ages

Fired by his ongoing battle with mental illness, Shortly After Takeoff is the final, and finest, chapter of what Christinzio calls his “Manchester Trilogy”, following 2015’s “How To Die In The North” and 2018’s “Deportation Blues”. All three albums were created after the native Philadelphian had moved to Manchester.

Like Deportation Blues, Shortly After Takeoff spans singer-songwriter classicism, gnarly synth-pop and ‘50s rock’n’roll, with Christinzio’s similarly distinctive, flexible vocal carrying a fearless approach to lyrical introspection, but the new album is a major leap forward in songwriting sophistication and lyrical communication.

The “heavy stuff” has come thick and fast for Christinzio. Just days before How To Die In The North was released, he was deported and banned from the UK because of visa issues. Estranged from his new home, his girlfriend and his dog, unable to promote his album and back home with his parents, Christinzio sunk deep into the dark. An Italian passport, care of his grandparents, eventually allowed him to re-settle in Manchester, but then just days before Deportation Blues was released, his father Angelo unexpectedly died.

Christinzio couldn’t tour How To Die In The North because of his deportation, but the shows following Deportation Blues played to increasingly larger audiences. Christinzio’s bombastic and intense live performances have earned him an ever-growing legion of devotees (and a recent nomination for Best Live Act by the Independent Music Awards) that see Brian as an “anti-rockstar”, an unfiltered talent.

“I’m pretty sure the BC Camplight live experience isn’t something you can find elsewhere,” he declares. “It is a journey every night. One moment, I’m basically doing a stand-up routine and the next, the band and I are playing like we plan on dying that evening, giving our everything.” One regret is that his father never saw Christinzio experience any level of success. “I wish he could have seen what I’ve started to do here,” he says. “I certainly gave that guy more grey hairs than he deserved. He would have liked to see this.”
If you have any access requests please call/book directly on 01392 667080 opt 1

 

BC Camplight

BC Camplight

Alternative Country

BC Camplight is the moniker of maverick songsmith Brian Christinzio. The Philadelphian turned Mancunian is considered one of indie music’s most forward-thinking artists with a discography which acts as a soundtrack to a life rife with bad fortune, mental illness, running afoul of the law, and ultimately absolute redemption. Whilst living in Philadelphia Christinzio performed live with The War On Drugs in between releasing two critically successful yet commercially ignored records. He was also a coveted session pianist lending his talents to scores of albums, perhaps most notably Sharon Van Etten’s ‘Epic’. After a period of homelessness and running on fumes creatively Christinzio made a move across the Atlantic to Manchester, UK in an effort take control of his life and reshuffle his musical deck. The result was the recording of 2015’s ode to Manchester and baroque pop tour de force “How To Die In The North”. The recordings resulted in a record deal with Bella Union and placed Christinzio on a path towards artistic fulfilment. However, a severe leg injury landed Christinzio in hospital where he was forced to remain whilst his UK work visa expired. Despite pleas to the Home Office to allow the ailing artist to apply for an extension a decision was made that would forever alter Brian personally and artistically. The day after his record was released Christinzio was deported from the UK and banned from returning. "How To Die In The North" was essentially shelved.
 
After 16 months of separation from the UK the resilient Christinzio was reunited with his beloved Manchester, gaining entry through newly acquired Italian citizenship. His most recent, and most lauded album "Deportation Blues" is an exhilarating dynamic document of calamity and stress, relayed through richly melodic arrangements spanning songwriter classicism, gnarled synth pop, 50’s filth-rock, and various odd junctions in between mirroring the creators fractured mindset. It is an immensely powerful diary chronicling an impossible set of life circumstances whilst shining a white-hot spotlight on the composer’s off-kilter brilliance. The album has since been revered by critics, become a stalwart on the BBC Radio 6 Music playlist (BBC 6 Music 2018 album of the year as voted by Marc Riley), and put BC Camplight back on the stage where he belongs. With a slew of tours and festivals on the horizon Christinzio, a remarkably relentless entertainer, will bring his immense new live show to the UK and Europe. “It’s no fun giving an audience a standard show that they can get elsewhere” explains Christinzio. “Sometimes it’s intense, sometimes it’s emotional, sometimes it’s basically a fucking stand-up routine. I always like to involve the audience and make it memorable for everyone involved.  I think we are one of the best live bands in the world and it’s an odd feeling finally getting an opportunity to get in front of loads of ears and eyes. In a perfect world I’d be able to organise a concert on the roof of the Home Office one day”.

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 10 per person
standing
£16.50 (£15.00 + £1.50 Fees, excluding any delivery costs)

Delivery Method

eTickets