King Creosote

Fri Nov 29 2024

7:00 PM

Union Chapel

Compton Terrace Islington London N1 2UN

All Ages

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All Ages (Under 16s to be accompanied by an adult)

Eat Your Own Ears presents
King Creosote at Union Chapel
 
Since the mid-late 1990s, Kenny Anderson's DIY pop alter-ego King Creosote has released over 100 records (at a relatively conservative guess), and his songs have been covered and performed by artists including Simple Minds and Patti Smith.
Anderson’s latest King Creosote outing is I, Des, an album that characteristically digs deep into his previous work - revisiting and recycling lyrics, home-made tapes, half-spun songs- and continues his quest to navigate mortality, ardour, stormy waters, the moon in the sky, and the East Neuk of Fife.
 
He’s equally commanding whether playing live to capacity crowds at London’s Barbican, Edinburgh’s Usher Hall and Glasgow Royal Concert Hall, or serenading fans in the fishing pubs and pottery shops of Crail and An struther; whether playing guitar, banjo, accordion, modular synths or wine glass drones. The common threads are KC’s singular voice, and his roguish, roving, ever-evolving, gorgeous songs in the key of Fife.

Support from Emily Barker.

Eat Your Own Ears presents
King Creosote

  • Sorry, there are currently no tickets available through TicketWeb.
  • Please check back later.
Eat Your Own Ears presents

King Creosote

Fri Nov 29 2024 7:00 PM

Union Chapel London
King Creosote
  • Sorry, there are currently no tickets available through TicketWeb.
  • Please check back later.

All Ages

All Ages (Under 16s to be accompanied by an adult)

Eat Your Own Ears presents
King Creosote at Union Chapel
 
Since the mid-late 1990s, Kenny Anderson's DIY pop alter-ego King Creosote has released over 100 records (at a relatively conservative guess), and his songs have been covered and performed by artists including Simple Minds and Patti Smith.
Anderson’s latest King Creosote outing is I, Des, an album that characteristically digs deep into his previous work - revisiting and recycling lyrics, home-made tapes, half-spun songs- and continues his quest to navigate mortality, ardour, stormy waters, the moon in the sky, and the East Neuk of Fife.
 
He’s equally commanding whether playing live to capacity crowds at London’s Barbican, Edinburgh’s Usher Hall and Glasgow Royal Concert Hall, or serenading fans in the fishing pubs and pottery shops of Crail and An struther; whether playing guitar, banjo, accordion, modular synths or wine glass drones. The common threads are KC’s singular voice, and his roguish, roving, ever-evolving, gorgeous songs in the key of Fife.

Support from Emily Barker.