Ryley Walker

Fri Sep 2 2022

7:30 PM

Phoenix

Gandy Street Exeter EX4 3LS

£16.50

All Ages

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Seating is available for customers with access needs, please call the venue to book. 01392 667080 Opt 1

Ryley Walker began his career in the early 2010s, after moving from Illinois’ provincial town of Rockford, and settling into Chicago’s independent scene. After a slew of cassette and vinyl releases, Tompkins Square put out his debut album in 2014, which was then followed up by the Dead Oceans released Primrose Green a year later. His most recent album, Course in Fable, was released on his own Husky PantsRecordings label in 2021.Having toured with the likes of Richard Thompson, and with a supporting slot for Dinosaur Jr. forthcoming—as well as a tremendous Burt Jansch tribute show behind him, wherein his hero Anne Briggs called him the ‘c word’—Walker has rubbed shoulders with the very best. While, in the past, his desire to be as great as his influences may have dogged and hindered him from bringing his own personality to his music, now, Walker’s music is undeniably his. A mix of Twitter and sobriety may be partially responsible. “Music is an exciting thing I get to do because I’m alive and well. I take every opportunity I’m given very seriously; I’ve gotta pay tribute to that by staying alive and being as good to the people who love me as I can,” he said.

Ryley Walker

  • Ryley Walker

    Ryley Walker

    Alternative Folk

    Deafman Glance, the follow-up to 2016’s Golden Sings That Have Been Sung, is the second Ryley Walker album produced by LeRoy Bach and Walker himself. It was largely recorded at the Minbal Studios in Chicago, with some later sessions taking place at USA Studios and in LeRoy’s kitchen. Ryley plays electric & acoustic guitars and was joined by long-time 6-string sparring partners, Brian J Sulpizio and Bill Mackay, who both play electric.

    “I was under a lot of stress because I was trying to make an anti-folk record and I was having trouble doing it. I wanted to make something deep-fried and more me-sounding. I didn’t want to be jammy acoustic guy anymore. I just wanted to make something weird and far-out that came from the heart finally. I was always trying to make something like this I guess, trying to catch up with my imagination. And I think I succeeded in that way — it’s got some weird instrumentation on there, and some surreal far-out words.

    The last record was cool but I was still figuring out what I was good at. But I’m fucking 28 years old, I’ve got to figure out a sound, figure out something that I enjoy doing. So this record is a little bit more grown up. Ol’Ryley’s just workin’ on bein’ a better Ryley.

    I think more than anything the thing to take away from this record is that I appreciate what improv and jamming and that outlook on music has done for me, but I wanted rigid structure for these songs. I don’t want to expand upon them live. There’s a looseness to some of the songs I guess, but I didn’t want to rely on just hanging out on one note. It’s so straight-forward that I can see a lot of people really not liking it to be honest. But I’m so happy, I’m happy that it’s completely different and unexpected.”

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Ryley Walker

Fri Sep 2 2022 7:30 PM

Phoenix Exeter
Ryley Walker

£16.50 All Ages


Seating is available for customers with access needs, please call the venue to book. 01392 667080 Opt 1

Ryley Walker began his career in the early 2010s, after moving from Illinois’ provincial town of Rockford, and settling into Chicago’s independent scene. After a slew of cassette and vinyl releases, Tompkins Square put out his debut album in 2014, which was then followed up by the Dead Oceans released Primrose Green a year later. His most recent album, Course in Fable, was released on his own Husky PantsRecordings label in 2021.Having toured with the likes of Richard Thompson, and with a supporting slot for Dinosaur Jr. forthcoming—as well as a tremendous Burt Jansch tribute show behind him, wherein his hero Anne Briggs called him the ‘c word’—Walker has rubbed shoulders with the very best. While, in the past, his desire to be as great as his influences may have dogged and hindered him from bringing his own personality to his music, now, Walker’s music is undeniably his. A mix of Twitter and sobriety may be partially responsible. “Music is an exciting thing I get to do because I’m alive and well. I take every opportunity I’m given very seriously; I’ve gotta pay tribute to that by staying alive and being as good to the people who love me as I can,” he said.
Ryley Walker

Ryley Walker

Alternative Folk

Deafman Glance, the follow-up to 2016’s Golden Sings That Have Been Sung, is the second Ryley Walker album produced by LeRoy Bach and Walker himself. It was largely recorded at the Minbal Studios in Chicago, with some later sessions taking place at USA Studios and in LeRoy’s kitchen. Ryley plays electric & acoustic guitars and was joined by long-time 6-string sparring partners, Brian J Sulpizio and Bill Mackay, who both play electric.

“I was under a lot of stress because I was trying to make an anti-folk record and I was having trouble doing it. I wanted to make something deep-fried and more me-sounding. I didn’t want to be jammy acoustic guy anymore. I just wanted to make something weird and far-out that came from the heart finally. I was always trying to make something like this I guess, trying to catch up with my imagination. And I think I succeeded in that way — it’s got some weird instrumentation on there, and some surreal far-out words.

The last record was cool but I was still figuring out what I was good at. But I’m fucking 28 years old, I’ve got to figure out a sound, figure out something that I enjoy doing. So this record is a little bit more grown up. Ol’Ryley’s just workin’ on bein’ a better Ryley.

I think more than anything the thing to take away from this record is that I appreciate what improv and jamming and that outlook on music has done for me, but I wanted rigid structure for these songs. I don’t want to expand upon them live. There’s a looseness to some of the songs I guess, but I didn’t want to rely on just hanging out on one note. It’s so straight-forward that I can see a lot of people really not liking it to be honest. But I’m so happy, I’m happy that it’s completely different and unexpected.”

Please correct the information below.

Select ticket quantity.

Complete the security check.

Select Tickets

All Ages
limit 10 per person
Standing
£16.50 (£15.00 + £1.50 Fees, excluding any delivery costs)

Delivery Method

eTickets