Fri Oct 31 2025
7:30 PM
£16.50
Ages 16+
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Pram set out on tour in 2025 with another LP on the horizon featuring a new
member of the collective. The first release since 2018 sees the band build on
their distinctive soundscape with added textures and a raw and powerful live
show careering from eerie to bone-shaking.
Fliss Kitson has built a reputation as a commanding and charismatic drummer
through her work with The Nightingales and Violet Violet. Her presence has
cemented a new partnership in the rhythm section with Sam Owen firmly back
behind the bass on a majority of numbers, exploring a path from Krautrock to
dub and back. There is also a new musical relationship on vocals with Kitson’s
powerful pop sensibility off-set by Owen’s haunting and wistful presence.
The band still use a bewildering array of instruments and are unrepentantly
unfazed by the possibilities of performing on anything and everything that seems
appropriate. “It’s not possible to develop a facility on every instrument we want
to use” explains founder member and multi-instrumentalist Sam Owen, “so we
simply don’t worry about it and look instead for the initial thrill of discovering a
new sound”. The addition of mountain dulcimer and trombonist/theremin player
Harry Dawes’ sometimes playful, occasionally mournful soprano saxophone are
a testament to this continued experimentation in the new set.
With support from Jude Rees is Madrigirl
member of the collective. The first release since 2018 sees the band build on
their distinctive soundscape with added textures and a raw and powerful live
show careering from eerie to bone-shaking.
Fliss Kitson has built a reputation as a commanding and charismatic drummer
through her work with The Nightingales and Violet Violet. Her presence has
cemented a new partnership in the rhythm section with Sam Owen firmly back
behind the bass on a majority of numbers, exploring a path from Krautrock to
dub and back. There is also a new musical relationship on vocals with Kitson’s
powerful pop sensibility off-set by Owen’s haunting and wistful presence.
The band still use a bewildering array of instruments and are unrepentantly
unfazed by the possibilities of performing on anything and everything that seems
appropriate. “It’s not possible to develop a facility on every instrument we want
to use” explains founder member and multi-instrumentalist Sam Owen, “so we
simply don’t worry about it and look instead for the initial thrill of discovering a
new sound”. The addition of mountain dulcimer and trombonist/theremin player
Harry Dawes’ sometimes playful, occasionally mournful soprano saxophone are
a testament to this continued experimentation in the new set.
With support from Jude Rees is Madrigirl
£16.50 Ages 16+
Pram set out on tour in 2025 with another LP on the horizon featuring a new
member of the collective. The first release since 2018 sees the band build on
their distinctive soundscape with added textures and a raw and powerful live
show careering from eerie to bone-shaking.
Fliss Kitson has built a reputation as a commanding and charismatic drummer
through her work with The Nightingales and Violet Violet. Her presence has
cemented a new partnership in the rhythm section with Sam Owen firmly back
behind the bass on a majority of numbers, exploring a path from Krautrock to
dub and back. There is also a new musical relationship on vocals with Kitson’s
powerful pop sensibility off-set by Owen’s haunting and wistful presence.
The band still use a bewildering array of instruments and are unrepentantly
unfazed by the possibilities of performing on anything and everything that seems
appropriate. “It’s not possible to develop a facility on every instrument we want
to use” explains founder member and multi-instrumentalist Sam Owen, “so we
simply don’t worry about it and look instead for the initial thrill of discovering a
new sound”. The addition of mountain dulcimer and trombonist/theremin player
Harry Dawes’ sometimes playful, occasionally mournful soprano saxophone are
a testament to this continued experimentation in the new set.
With support from Jude Rees is Madrigirl
member of the collective. The first release since 2018 sees the band build on
their distinctive soundscape with added textures and a raw and powerful live
show careering from eerie to bone-shaking.
Fliss Kitson has built a reputation as a commanding and charismatic drummer
through her work with The Nightingales and Violet Violet. Her presence has
cemented a new partnership in the rhythm section with Sam Owen firmly back
behind the bass on a majority of numbers, exploring a path from Krautrock to
dub and back. There is also a new musical relationship on vocals with Kitson’s
powerful pop sensibility off-set by Owen’s haunting and wistful presence.
The band still use a bewildering array of instruments and are unrepentantly
unfazed by the possibilities of performing on anything and everything that seems
appropriate. “It’s not possible to develop a facility on every instrument we want
to use” explains founder member and multi-instrumentalist Sam Owen, “so we
simply don’t worry about it and look instead for the initial thrill of discovering a
new sound”. The addition of mountain dulcimer and trombonist/theremin player
Harry Dawes’ sometimes playful, occasionally mournful soprano saxophone are
a testament to this continued experimentation in the new set.
With support from Jude Rees is Madrigirl
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