14+ (under 16s with an adult)
Patrick Wolf today announces the release of his long-awaited seventh album Crying The Neck due out 25th April via APPORT / Virgin Music and available to pre-order. The album features guest appearances from Zola Jesus, Serafina Steer, drummer Seb Rochford and Wolf’s sister Jo Apps. Alongside news of an extensive UK, European and US tour, Wolf has shared first single “Dies Irae”, an anthemic “affirmation of life” set in the days before the passing of his mother..
“Dies Irae” comes from the Latin Requiem Mass and translates to “the day of wrath” or, as Wolf puts it, “the day of separation from the living”. He wanted to write a response to that idea, seeing it instead as a “an affirmation of life in the last days of knowing you are about to lose someone you love, and a courageous - almost rebellious - choice against the misery to use the time remaining to deepen your love or joy with each other.” He wrote it “to give myself another day I didn't have with my mother during her rapid descent in illness” and hopes that this might also help others who have been through the same process. The string arrangement at the end of the song is based on the Medieval Gregorian chant ‘Dies Irae’ from the Latin mass. The song, Wolf says, completed the narrative arc of the album, connecting the opening tracks with the “death suite” of pieces in tribute to his mother. “I finished the lyrics as an imaginary last conversation with my mother in her art studio and out to the garden as the evening falls,” he says. “My sister Jo Apps came in the last days of mixing to sing the backing vocals, and in a way, it meant that we could both share a last dance in the kitchen with our ma together.”
Why do we have a restoration Levy?
Put very simply, our restoration levy is an additional charge added to your ticket price which is directly invested back into the venue. This money is used for critical maintenance, repairs, and preservation efforts to ensure the long-term sustainability of the building.
As the 3rd oldest church building in Glasgow, dating back to 1836, Saint Luke's requires ongoing care and special restoration to maintain its historic character and facilities. This levy will enable us to fund essential projects that will safeguard the venue's future as a vibrant hub for live music and community events.
If you would like to be kept up to date on progress with how we are using this fund then please follow us on social media @stlukesglasgow, and sign up to our mailing list where we will send out quarterly updates on the improvements that your donations are helping us make.
Sun May 11 2025
7:00 PM
£31.13
Ages 14+
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Regular Music Presents
Patrick Wolf
-
Patrick Wolf
Baroque Pop
£31.13 Ages 14+
14+ (under 16s with an adult)
Patrick Wolf today announces the release of his long-awaited seventh album Crying The Neck due out 25th April via APPORT / Virgin Music and available to pre-order. The album features guest appearances from Zola Jesus, Serafina Steer, drummer Seb Rochford and Wolf’s sister Jo Apps. Alongside news of an extensive UK, European and US tour, Wolf has shared first single “Dies Irae”, an anthemic “affirmation of life” set in the days before the passing of his mother..
“Dies Irae” comes from the Latin Requiem Mass and translates to “the day of wrath” or, as Wolf puts it, “the day of separation from the living”. He wanted to write a response to that idea, seeing it instead as a “an affirmation of life in the last days of knowing you are about to lose someone you love, and a courageous - almost rebellious - choice against the misery to use the time remaining to deepen your love or joy with each other.” He wrote it “to give myself another day I didn't have with my mother during her rapid descent in illness” and hopes that this might also help others who have been through the same process. The string arrangement at the end of the song is based on the Medieval Gregorian chant ‘Dies Irae’ from the Latin mass. The song, Wolf says, completed the narrative arc of the album, connecting the opening tracks with the “death suite” of pieces in tribute to his mother. “I finished the lyrics as an imaginary last conversation with my mother in her art studio and out to the garden as the evening falls,” he says. “My sister Jo Apps came in the last days of mixing to sing the backing vocals, and in a way, it meant that we could both share a last dance in the kitchen with our ma together.”
Why do we have a restoration Levy?
Put very simply, our restoration levy is an additional charge added to your ticket price which is directly invested back into the venue. This money is used for critical maintenance, repairs, and preservation efforts to ensure the long-term sustainability of the building.
As the 3rd oldest church building in Glasgow, dating back to 1836, Saint Luke's requires ongoing care and special restoration to maintain its historic character and facilities. This levy will enable us to fund essential projects that will safeguard the venue's future as a vibrant hub for live music and community events.
If you would like to be kept up to date on progress with how we are using this fund then please follow us on social media @stlukesglasgow, and sign up to our mailing list where we will send out quarterly updates on the improvements that your donations are helping us make.
Patrick Wolf today announces the release of his long-awaited seventh album Crying The Neck due out 25th April via APPORT / Virgin Music and available to pre-order. The album features guest appearances from Zola Jesus, Serafina Steer, drummer Seb Rochford and Wolf’s sister Jo Apps. Alongside news of an extensive UK, European and US tour, Wolf has shared first single “Dies Irae”, an anthemic “affirmation of life” set in the days before the passing of his mother..
“Dies Irae” comes from the Latin Requiem Mass and translates to “the day of wrath” or, as Wolf puts it, “the day of separation from the living”. He wanted to write a response to that idea, seeing it instead as a “an affirmation of life in the last days of knowing you are about to lose someone you love, and a courageous - almost rebellious - choice against the misery to use the time remaining to deepen your love or joy with each other.” He wrote it “to give myself another day I didn't have with my mother during her rapid descent in illness” and hopes that this might also help others who have been through the same process. The string arrangement at the end of the song is based on the Medieval Gregorian chant ‘Dies Irae’ from the Latin mass. The song, Wolf says, completed the narrative arc of the album, connecting the opening tracks with the “death suite” of pieces in tribute to his mother. “I finished the lyrics as an imaginary last conversation with my mother in her art studio and out to the garden as the evening falls,” he says. “My sister Jo Apps came in the last days of mixing to sing the backing vocals, and in a way, it meant that we could both share a last dance in the kitchen with our ma together.”
Why do we have a restoration Levy?
Put very simply, our restoration levy is an additional charge added to your ticket price which is directly invested back into the venue. This money is used for critical maintenance, repairs, and preservation efforts to ensure the long-term sustainability of the building.
As the 3rd oldest church building in Glasgow, dating back to 1836, Saint Luke's requires ongoing care and special restoration to maintain its historic character and facilities. This levy will enable us to fund essential projects that will safeguard the venue's future as a vibrant hub for live music and community events.
If you would like to be kept up to date on progress with how we are using this fund then please follow us on social media @stlukesglasgow, and sign up to our mailing list where we will send out quarterly updates on the improvements that your donations are helping us make.
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